WHY

WHY WOULD YOU PUT A FUCKING BINDI ON A DOG

WHY DO I HAVE TO PASS BY YOUNG WHITE BOYS ON THE STREET EVERY OTHER DAY WEARING T-SHIRTS OF SKULLS WITH NATIVE AMERICAN HEADDRESSES

DO YOU NOT REALIZE HOW FUCKING STUPID AND DANGEROUS AND POLITICALLY CHARGED THIS SHIT IS

get the fuck out of my life/internet, i beg you.

fuck OBEY…….. and banksy too, while we at it

bad-dominicana:

the plagiarizing-ass, faux-street, corporate-dummy andre the giant/OBEY/shepard fairey can kick rocks. people who root for these wanna-be street artists usually dont know jack shit about the history of street art and dont bother to find out shit about shepard faireys known plagiarism among graff writers.

rooting for the fuckin millionaire posers who jack all the smaller, lesser known REAL street artists (andre’s dad is a publicity big wig and got him an in at corporations—he faked the funk the whole way and doesnt even do his own art, usually, most of the time he pays others to take the risk, the fuck is that shit?! hes a rich kid who got everything handed to him and gets credit for taking up POC’s art—- street art that gets them killed and jailed, and white boys like him venerated, w people of all colors wearing his hats and clothes that say “OBEY”. yeah thats the last person you should be fucking patronizing w such appeasements to their ego—a poser fucking plagiarist, appropriative upper class spoiled white boy? please DONT obey at all.),

observe all the “street cred” him and banksy get as they get as they go home to sleep in the comfy ‘burbs and lofts after all their exaltation for shit that gets the real innovators of that art form criminalized? banking on other peoples struggles and genius is what they are famous for. 

think about how 2 uppity white boys are the faces of street art…an art form started by POC.

what they are cheered on for is simply poverty tourism (coz for their types, visiting poor urban areas is what gives them cred, as if we dont fucking live there all the time), straight out plagiarism of artists of colors revolutionary images in addition to the appropriation of street art (in Obeys case and mind you he bit F.U.K.T.s line entirely too back when he first started. i cant even find links to it but if you dig you will find it) and urban cultural appropriation. shepards retort was he donates to african children and collabs w black people so he can steal as much as he wants from POC (including native american and other *tribal* prints to profit off w his clothing line).

come the fuck on. dudes the epitome of everything thats wrong w corporate-sanctioned art.

people act like hes “genuine” and “credible” and show off his tees like theyre counterculture when youre just rooting for the racist fucking system in the end. :|

reblogging to add links and more details: i’ve been thinking about this a lot lately, talking to graffiti artists in quebec city and thinking about the graffiti and stencils around the student strikes. but back to fairey: just the other day i saw a teenage kid with a hat with ganado print on it and was so dumbstruck to see the logo for OBEY on the back of it. and then i used magical google and realized they are some of the worst offendors when it comes to marketing their shit as “navajo” when it sure ain’t. just in case you need some illustrations for the more recent OBEY fuckery:

OBEY “navajo socks

OBEY outpost shirt with “custom navajo embroidery” (my fucking ass)

OBEY “navajo dress”
i could go on and on but you get the point. this shit ain’t navajo, and marketing it as such is illegal, uncool, and borderline racist.

just a few instances where shepard fairey has ripped off other artists/photographers:

great article here at justseeds.org:

shepard fairey, white entitlement and corporate interests (feb 2009)

thisisnewradio:

I think the absolute best revenge on an ex-boyfriend is write songs about how he wronged you and then HE HAS TO PLAY THEM.

i’ve seen this a few times on my dash now. without the .gif, i totally agree. that is pretty sweet revenge. but… but gwen stefani sucked. and still does. i mean, what’s the worst thing tony kanal did? she’s the one who got famous, and he is always in the background (i mean he is the bassist and he is, from my recollection of teen magazines, shy and quiet). meanwhile, her stock kind of skyrockets. she profits from being an “it girl” in both the music and fashion industries, makes bindis and saris popular for a hot minute in the 90s. i literally know nothing about their relationship/breakup other than the fact that it inspired the tragic kindgom record. why does she deserve revenge? correct me if i’m totally out of line here…
also this:

Somewhere around 1995, the band No Doubt, with its energetic, effervescent, cute lead-“just-a-girl” Gwen Stefani hit MTV (and North American hearts everywhere) hard. The story was this: the guitarist was this Indian-Californian boy named Tony Kanal and was the love of Gwen’s life for a few years until he dumped her (for being “too clingy”) just before the production of their mega-hit album, breaking her heart. Consequently, every song on the album is written about their break-up and her heart-break. She moved on, eventually, to that guy from Bush; but her sexual/ emotional brush with the East remained significant.
It was there in all these songs, in the interviews where she discussed her fallen relationship at length, and in the videos where she crooned at Tony (who remained silent throughout). Most visibly, it was there in her fashion— in her ever-present bindi and in the expensive sari’s she wrapped around her waist sarong-style, matched with a little bustier. No one ever talked about Tony being Indian (that would be strange and irrelevant, no?) or discussed the myriad complexities of inter-racial romance (again, a different story) or even articulated which subcontinent her fashion was borrowed from (but, why?)… her bindi and sari fabric were just quirky, “new,” and cute— like Gwen, herself. My much-maligned bindi looked attractive, it seemed, on Gwen’s racially different face; and the implicit message seemed to be that the dark and silent Tony had squandered his chance with this girl who featured fusion-sexy (white skin, American attitude, exotic style) so temptingly well.

there are countless other examples (let us not forget that fuckery around literally silencing asian women but using them as fucking props with the harajuku girls) and i’ve definitely got other questions about no doubt (why were the black horn section players never seen as part of the band? why is it okay for a popular californian ska/rock/pop band to just jump from culture to culture to culture for musical and sartorial inspiration?) but this is the one that most often comes to mind.
i’m not gonna lie, gwen stefani was a big fucking deal to me when i was a teenager. i blame it on the dearth of strong female lead singers in the mainstream rock scene in the 90s, because when i think back i have a hard time remembering what it is i loved about her. i suppose she was one of the first people i saw mimicking style icons of the silent screen, and i loved that she was still boyish and tough while wearing makeup. unsurprisingly, she was quickly de-throned when i discovered punk music and riot grrl… but still, in ‘96 she was super important to me (that makes me want to read this article real bad). it wasn’t until she went solo/i got older that i started realizing how blatantly appropriative she was/is, and i still don’t feel like she’s been properly taken to task on it.
if this 90s revivalism shit keeps picks up any more steam, it looks like i’m going to have to be the one to do it.

thisisnewradio:

I think the absolute best revenge on an ex-boyfriend is write songs about how he wronged you and then HE HAS TO PLAY THEM.

i’ve seen this a few times on my dash now. without the .gif, i totally agree. that is pretty sweet revenge. but… but gwen stefani sucked. and still does. i mean, what’s the worst thing tony kanal did? she’s the one who got famous, and he is always in the background (i mean he is the bassist and he is, from my recollection of teen magazines, shy and quiet). meanwhile, her stock kind of skyrockets. she profits from being an “it girl” in both the music and fashion industries, makes bindis and saris popular for a hot minute in the 90s. i literally know nothing about their relationship/breakup other than the fact that it inspired the tragic kindgom record. why does she deserve revenge? correct me if i’m totally out of line here…

also this:

Somewhere around 1995, the band No Doubt, with its energetic, effervescent, cute lead-“just-a-girl” Gwen Stefani hit MTV (and North American hearts everywhere) hard. The story was this: the guitarist was this Indian-Californian boy named Tony Kanal and was the love of Gwen’s life for a few years until he dumped her (for being “too clingy”) just before the production of their mega-hit album, breaking her heart. Consequently, every song on the album is written about their break-up and her heart-break. She moved on, eventually, to that guy from Bush; but her sexual/ emotional brush with the East remained significant.

It was there in all these songs, in the interviews where she discussed her fallen relationship at length, and in the videos where she crooned at Tony (who remained silent throughout). Most visibly, it was there in her fashion— in her ever-present bindi and in the expensive sari’s she wrapped around her waist sarong-style, matched with a little bustier. No one ever talked about Tony being Indian (that would be strange and irrelevant, no?) or discussed the myriad complexities of inter-racial romance (again, a different story) or even articulated which subcontinent her fashion was borrowed from (but, why?)… her bindi and sari fabric were just quirky, “new,” and cute— like Gwen, herself. My much-maligned bindi looked attractive, it seemed, on Gwen’s racially different face; and the implicit message seemed to be that the dark and silent Tony had squandered his chance with this girl who featured fusion-sexy (white skin, American attitude, exotic style) so temptingly well.

there are countless other examples (let us not forget that fuckery around literally silencing asian women but using them as fucking props with the harajuku girls) and i’ve definitely got other questions about no doubt (why were the black horn section players never seen as part of the band? why is it okay for a popular californian ska/rock/pop band to just jump from culture to culture to culture for musical and sartorial inspiration?) but this is the one that most often comes to mind.

i’m not gonna lie, gwen stefani was a big fucking deal to me when i was a teenager. i blame it on the dearth of strong female lead singers in the mainstream rock scene in the 90s, because when i think back i have a hard time remembering what it is i loved about her. i suppose she was one of the first people i saw mimicking style icons of the silent screen, and i loved that she was still boyish and tough while wearing makeup. unsurprisingly, she was quickly de-throned when i discovered punk music and riot grrl… but still, in ‘96 she was super important to me (that makes me want to read this article real bad). it wasn’t until she went solo/i got older that i started realizing how blatantly appropriative she was/is, and i still don’t feel like she’s been properly taken to task on it.

if this 90s revivalism shit keeps picks up any more steam, it looks like i’m going to have to be the one to do it.

(via terrorbull)

usernames of white girls who tag shit #headdress #fashion

have usernames like:

you can’t even make this shit up.

chescaleigh:

Shit White Girls Say…to Black Girls (via Chescaleigh)

Born and raised in the suburbs, this video is basically my life story in 2 minutes. Throw me a reblog if you can relate.

so cringe-worthy but amazing.

“G***Y MAGIC”

lionza:

so i just saw a phrase “g***y magic” and i googled it to get more sense of what “g***y magic” was referring to because it made me uncomfortable as fuck just looking at it. i found a large amount of wicca sites claiming to know the magic of the romani/dom people. i’m not familiar with wicca at all (asides from the little i remember when i was 10 and wanted to be a witch), so this whole sect of “g***y magic” really stunned me. my immediate concerns were its truthfulness and whether or not it was something that outsiders could participate in. there is a real danger of people borrowing from racist stereotypes of ethnic groups to create what they believe are “traditions” of this group or actually taking things that are not allowed. for example, a lot of people espouse philosophy that is apparently “native-american”, when it is just a made up jumble of racist stereotypes of what first nations people in the americas believe. so i’ve been looking stuff up to see whether or not my suspicions are valid and i found this post, which i will now share with you.

it is not possible for romani or dom traditions to be taught and practiced by outsiders of the culture. these traditions are passed down through family and community. and people are only considered part of these communities if they adhere to various traditional connections to their ethnic communities. just throwing things together and calling them ‘gypsy traditions’ doesn’t work – the community has to welcome you and feel that connection between you and their culture. otherwise, you are gadje - an outsider. even those brought into the community through marriage or birth may not be considered part of the culture if they are detached from various aspects that make up that culture. yes, even with romani or dom heritage, you can be gadje. on top of that, the majority of romani and dom are christian because of the (white, christian, often focusing on conversion) dominant cultures they live in. so some of the folk traditions and beliefs are beginning to slowly die out, only maintained by the few. painting all romani and dom with these traditions and beliefs ignores the slow erasure of folklore and culture through cultural assimilation.

third, the distribution of traditions painted as ‘gypsy magic’ to outside audiences en masse is a form of culture appropriation. as mentioned in the previous paragraph, the cultures of the romani and dom people are closed to those they do not welcome. taking these traditions, or even things that one labels as ‘gypsy traditions’ (even if they have no actual relation and are thus compromised of stereotypical bullshit), is appropriation of their culture for one’s own personal gain. that is stealing…

fourth, many of the traditions of ‘gypsy magic’ or tarot is based off of ethnic stereotypes, romanticizing images and ideas that are far from representative of the people these stereotypes are attached to. after all, many of those that are slandered as ‘gypsies’ aren’t even romani! folks like the pavee may even be white and have their own traditions, thus hardly the depiction of dark skinned ethnic beauties in their golden jewelry and brightly colored clothes. what’s worse, these popular depictions of ‘gypsies’ in fantasy worlds such as games, books and movies suggest that they don’t even exist anymore! like they’re some sort of magical fairies that add color and excitement (or theft and deception, like that’s so much better!) to such environments and then magically disappear from the world during the medieval times. yeah, the folks that are suffering from racial, class and cultural oppression throughout europe and various other locations throughout the world? don’t exist, apparently. those molotov cocktails being thrown into their homes and fascist organizations terrorizing entire communities just for existing? fiction, apparently. and their voices shouting at the world to stop these assaults on their peoples? just whispers in the wind.”

i’m looking for more information on this (because i’m curious to see exactly how inaccurate this concept is) but seriously y’all, i think the fact that the phrase “g***y magic” relies on an ethnic SLUR is a great clue that it’s racist as fuck. the hints of cultural appropriation and reliance on ethnic stereotypes with the term is also RACIST AS FUCK. don’t use this goddamn phrase.

FILE UNDER: SHIT WE NEED TO TALK ABOUT A LOT MORE.

i’m thinking of making a little zine about racist slurs that still get used a lot under the guise of hip, whismical alternative communities. it’d be super short, just a little run down of the power of words, and a short blurb about their history. this is largely because there is a vintage company in quebec (run by two white girls) called “boat people,” another enterprise (run by two white girls, again) called “sauvages” and i saw a necklace at a zine fair called “sqaw.” [sic] i don’t think a lot of these people are being intentionally shitheads, but i definitely think it is a sign that there’s a lot of work to be done in the arts community in quebec.

don’t even get me started on how many goddamn fashion bloggers think “gypsy” is interchangeable with the word “bohemian” or “whimsical.”

would anyone be interested in contributing?

band-witch:

rebel-grrrl:

corigami:

 
On my final day at work last week they asked me to make labels with this fancy label machine. Instead I crunched out a bunch of these instead! 
I am super excited to put these “Racist” stickers on all the Indian Princess, Afro-Man, Amigo Man, Sexy Japanese Girl, and all other costumes sold that are blatantly racist. I am going to make a bunch more the old school way and go wild next time I am out shopping.  I also need to stock up on fake blood for my yearly Halloween vigilante escapades of spaying people with fake blood for wearing racist outfits and scampering off into the night. It’s one of my favorite events of the year. 

bamf

THIS is the greatest.

 i can definitely get behind this.

band-witch:

rebel-grrrl:

corigami:

 

On my final day at work last week they asked me to make labels with this fancy label machine. Instead I crunched out a bunch of these instead! 

I am super excited to put these “Racist” stickers on all the Indian Princess, Afro-Man, Amigo Man, Sexy Japanese Girl, and all other costumes sold that are blatantly racist. I am going to make a bunch more the old school way and go wild next time I am out shopping.  I also need to stock up on fake blood for my yearly Halloween vigilante escapades of spaying people with fake blood for wearing racist outfits and scampering off into the night. It’s one of my favorite events of the year. 

bamf

THIS is the greatest.

 i can definitely get behind this.

(Source: tierracita, via grumpchump)

"Notice how “organized terrorist attack” becomes “lone crazy individual” and “isolated incident” when perpetrator(s) are discovered to be white."

Eric Ward (via queerdesi)

Every single time.

(And that “crazy” isn’t just an offhand word, it’s always crucial to the rhetoric to make sure the violent white person(s) can be at least vaguely described as such, to establish mental instability as the source of their actions.)

Ugh always. Fuck. This.

(via akitron)

(via prudeboy)

billyjane:

some numblers - 7,017 followers - lets say circa 17% of you is active, that’s still somethin’!
[thank you all for stickin’ around;]
photo from LIFE

only reblogging to remind people that billyjane is a raging douche/unapologetic racist and i still get kind of bummed out anytime i see their username on my dashboard. (i never do this kind of thing but the level of disrespect and asshattery displayed by this person astounded me to new levels of internet rudeness)

billyjane:

some numblers - 7,017 followers - lets say circa 17% of you is active, that’s still somethin’!

[thank you all for stickin’ around;]

photo from LIFE

only reblogging to remind people that billyjane is a raging douche/unapologetic racist and i still get kind of bummed out anytime i see their username on my dashboard. (i never do this kind of thing but the level of disrespect and asshattery displayed by this person astounded me to new levels of internet rudeness)

(via loveinexcess)

elladarling:

This man is the Cheif.
I met him at sonisphere. He was on our campsite and bought a red indian hat and a beer bong. You just had to stand up by your tent, hold a beer in the air and shout “BEER BOOOONG” and withing about 3 minutes he’d appear. He was such a legend, he literally kepy our entire campsite in order. Its amazing how people just respect someone they think is in a position of authority. Either way, He’s such a lovely guy, Definately the best person I met there.

DEAR GOD WHAT IS WRONG WITH HUMANITY
RAAAAAAAAAAAAAAAAAAAAAAAAAAAAGE.

elladarling:

This man is the Cheif.

I met him at sonisphere. He was on our campsite and bought a red indian hat and a beer bong. You just had to stand up by your tent, hold a beer in the air and shout “BEER BOOOONG” and withing about 3 minutes he’d appear. He was such a legend, he literally kepy our entire campsite in order. Its amazing how people just respect someone they think is in a position of authority. Either way, He’s such a lovely guy, Definately the best person I met there.

DEAR GOD WHAT IS WRONG WITH HUMANITY

RAAAAAAAAAAAAAAAAAAAAAAAAAAAAGE.