"‘But I never looked like that!’—How do you know? What is the ‘you’ you might or might not look like? Where do you find it—by which morphological or expressive calibration? Where is your authentic body? You are the only one who can never see yourself except as an image; you never see your eyes unless they are dulled by the gaze they rest upon the mirror or the lens (I am interested in seeing my eyes only when they look at you): even and especially for your own body, you are condemned to the repertoire of images."

— Roland Barthes, Roland Barthes by Roland Barthes  (via starlit-mire)

(Source: hfml, via lionza)

havecompany:

SARAH SCIBA’S BATHROOM.
that is my zine. around her bathroom mirror.
makes me happy to and want to keep making things. 

i didn’t know whether to reblog this to my house inspiration tumblr or my main tumblr here.

havecompany:

SARAH SCIBA’S BATHROOM.

that is my zine. around her bathroom mirror.

makes me happy to and want to keep making things. 

i didn’t know whether to reblog this to my house inspiration tumblr or my main tumblr here.

poboh:

Selfportrait, 1952, Eva Besnyö. (1910 - 2003)

poboh:

Selfportrait, 1952, Eva Besnyö. (1910 - 2003)

(via palimpsestghost)

herbstzeitlose:

André Gelpke, Christine au miroir, 1976

herbstzeitlose:

André Gelpke, Christine au miroir, 1976

(Source: regardintemporel, via teabiotique)

herbstzeitlose:

Ilse Bing, Self portrait, My first photograph, Frankfurt, 1913

herbstzeitlose:

Ilse Bing, Self portrait, My first photograph, Frankfurt, 1913

(Source: regardintemporel, via teabiotique)

denise-puchol:

lisette model

denise-puchol:

lisette model

(Source: denisebefore, via fluorescent)

having a lot of queer feelings lately about who i want to look like/what i want makeup to do

Self-portrait by Vivian Maier, c. 1961

Self-portrait by Vivian Maier, c. 1961


The production of propaganda textiles featuring slogans and imagery relating to the war allowed civilians to support the war effort in yet another way. Interestingly, these textiles were not produced by governments, but by independent manufacturers. In the United States and Britain, propaganda textiles featured familiar slogans such as “V for Victory” and “Keep it Under Your Hat,” a reminder that casual conversations could inadvertently reveal confidential information. Other designs featured brightly colored patterns of red, white and blue, the colors of the Allied flags. The FIDM Museum propaganda textile dress seen here features a pattern embedded with the slogan “There’ll Always be an England,” after a British patriotic song of 1939.


This collection of textiles was intentionally printed with reversed “mirror-writing,” which can be read properly only when reflected in a mirror… The mirror-writing also had an immediate effect on the wearer; every time she glanced in a mirror, she was confronted with a cheerful, fashionable reminder of her patriotic duty.

WOAH YOU GUYS. WOAH.

The production of propaganda textiles featuring slogans and imagery relating to the war allowed civilians to support the war effort in yet another way. Interestingly, these textiles were not produced by governments, but by independent manufacturers. In the United States and Britain, propaganda textiles featured familiar slogans such as “V for Victory” and “Keep it Under Your Hat,” a reminder that casual conversations could inadvertently reveal confidential information. Other designs featured brightly colored patterns of red, white and blue, the colors of the Allied flags. The FIDM Museum propaganda textile dress seen here features a pattern embedded with the slogan “There’ll Always be an England,” after a British patriotic song of 1939.

This collection of textiles was intentionally printed with reversed “mirror-writing,” which can be read properly only when reflected in a mirror… The mirror-writing also had an immediate effect on the wearer; every time she glanced in a mirror, she was confronted with a cheerful, fashionable reminder of her patriotic duty.

WOAH YOU GUYS. WOAH.

fromobscuretodemure:

Jean Arthur freshening up, c. 1930.

fromobscuretodemure:

Jean Arthur freshening up, c. 1930.

(Source: realityayslum, via aclockwithouthands)