fiercefashionfutures:

NOW IS THE TIME to submit your proposal for the Fierce Fashion Futures track for the 2013 Allied Media Conference! The deadline to submit is March 8th! The conference will take place June 20-23rd in Detroit, MI.

PLEASE REBLOG AND SHARE WIDELY!

Fierce Fashion Futures call for proposals:

Fashion is media and politics at the same time. Every day we communicate something about who we are, who we want and what kind of world we want with our clothes and our bodies. How can we understand the ways that fashion builds community and simultaneously excludes from community? How can we reclaim beauty in our own fat, QTPOC, disabled queer radical selves? Fashion can be used as emotional and spiritual armor as well as physical protection from police and chemical weapons. What new possibilities for expression and network building are created by wearable electronics, e-textiles and new fashion technologies? How does fashion work in radical media, dance and performance? 

We want to build a community of radical fashion lovers, who see fashion not as big business or an elite sport, but as an art form for all people with subversive potential as a space of self-expression and creation. We want to broaden the ways that the media activist communities that are a part of the AMC think about fashion as a kind of politics in their everyday life. We hope to expand the conversation about gender, race, sexuality and ability by having these spaces to talk about how they play out on our bodies through clothing. We are looking to help people build new skills for creating their own clothes, expanding the options people have for their fashion choices in the future and for making wearable electronics, expanding our possibilities for creating everyday technologies.

We are looking for the following kinds of proposals:

HOW-TO Such as: skills for making and re-making your own clothes; creating wearable electronics; sustaining yourself through DIY business.

THEORY Such as: how fashion can help us explore our identities; fashion without overconsumption; fashion as community building/fashion as homogenizer. 

ACTION Such as: using fashion to embrace and empower your body; understanding and fighting sweatshops; using fashion to protect yourself in direct-action.  

^^^^^^^^^^^^^^^^^^^^^^^^^^

dress 1.

dress 2.

dress 3.

dress 4.

guess who just discovered the costumes and textiles department of the mccord museum… !!!

(via Hands off: Surrealist art and fashion | À l’allure garçonnière)
another post about how much i love badass artists like schiaparelli & oppenheimer blurred the lines between fashion and art.

(via Hands off: Surrealist art and fashion | À l’allure garçonnière)

another post about how much i love badass artists like schiaparelli & oppenheimer blurred the lines between fashion and art.

"blessed are the low femmes, blessed are those without access to fashion, blessed are those whose genders are not considered visible by aesthetic or indeed any semiotic readings"

prince of prance

pretaportre:

“Celebrating its 36th anniversary, the October issue of Harper’s Bazaar China travels to Paris for a story featuring classic style. In front of Yin Chao’s lens, Miao Bin Si showcases retro style in luxe designs from the likes of Lanvin, Mugler, Dior Haute Couture and Elie Saab styled by Fan Xiaomu and Gugu as she explores Paris with special guest Didier Grumbach. Super glam hair and makeup by Bon and Wang Qian perfect the sophisticated ensembles.”

(via FGR)

can we talk about how fucking incredible this is?!


How did this totally fanciful, junk-food TV show fit in with my new found, anti-consumerist, teenage feminist rants? I began to reposition my fascination, turning my old Sailor Moon nightgown into a hot butch muscle tee and mixing the cutesy Sailor Moon-inspired pigtails of my youth into a riot grrrl-inspired statement. Perhaps the rumours of a lesbian love affair between Sailor Neptune and Uranus had even had an influence on my queerness. Even though I’ve more or less retired this obsession, I still get giddy every time I see a Japanese school uniform, excited at the thought of the magic that the girls who sport these get-ups possess. // Jenna Danchuk

this outfit/these feelings have got my heart all a flutter.

How did this totally fanciful, junk-food TV show fit in with my new found, anti-consumerist, teenage feminist rants? I began to reposition my fascination, turning my old Sailor Moon nightgown into a hot butch muscle tee and mixing the cutesy Sailor Moon-inspired pigtails of my youth into a riot grrrl-inspired statement. Perhaps the rumours of a lesbian love affair between Sailor Neptune and Uranus had even had an influence on my queerness. Even though I’ve more or less retired this obsession, I still get giddy every time I see a Japanese school uniform, excited at the thought of the magic that the girls who sport these get-ups possess. // Jenna Danchuk

this outfit/these feelings have got my heart all a flutter.

thefashionphiliac:

Too cute to function. 

OMG THE LIPSTICK ON THE TEETH
fucking loving it

thefashionphiliac:

Too cute to function. 

OMG THE LIPSTICK ON THE TEETH

fucking loving it

f-l-e-u-r-d-e-l-y-s:

Soo Joo by Kevin Mackintosh for Vogue Italia Sept 2012

(via deactivated-catladysouls)

vogueweekend:

“Mod Girls”, Xiao Wen Ju photographed by Camilla Åkrans in Vogue China November 2012

this reminds me how i’m still forever hunting for that perfect black dress with white collar à la wednesday addams dress.

vogueweekend:

“Mod Girls”, Xiao Wen Ju photographed by Camilla Åkrans in Vogue China November 2012

this reminds me how i’m still forever hunting for that perfect black dress with white collar à la wednesday addams dress.

(via plastickitten-deactivated201304)

browntourage:

Morning wake-up call. 
So, I currently work “in fashion” and am exposed to the world more&more everyday through my job, and consuming information to stay sharp on the job. Some of this consuming happens on Refinery29.
I’ve been surprised by the Jezebel-esque/tumblr conscious posts on Refinery29 lately, even told friends about how impressed I was. But then this happened.
A couple days ago at work I had to confront a minor (albeit serious for me personally) situation in which my boss and co-workers wanted to title our weekly newsletters using “Indian Summer.” I consulted Tonia, and decided to rename it and if questioned, pull out the “UO HAS A LAWSUIT AGAINST THEM LET’S BE EXAMPLES IN THE FASHION INDUSTRY/ NOT COLONIALIST.” After some office exchanges, and the other Berkeley grad on my side, they were all receptive to the change! 
You can read my response below the article, and I hope for some more engagement on the topic.

i must say i’ve always had the sense that refinery29 is the kind of crew that just goes with the flow, and has never been interested in really challenging the status quo. i’ve never been a regular reader, but often end up there for the same reasons you list: i’m interested in fashion, and read up on what’s happening right now.
i totally laud your great thoughtful comment, and feel the same way… but truly wonder how real change and critical discourse about racism will ever be approached in a fashion blog like refinery29. case in point? their take on “ethnic prints.”
this post from may 2012, “what fashion’s ethnic prints are really called” is a good starting point, but it’s just that: a starting point. two days after posting that article, they described a pair of shoes as “ethnic.” and simply asking people to “use the right words” when talking about ethnic prints is just looking at the surface of the issue, and not calling into question cultural appropriation, who these prints are made by, how they are produced, who is selling them, who is wearing them, and what that may be indicative of.
i don’t expect critical thinking from refinery29, and i don’t know if that means i am just cynical and jaded or it means that i am a realist when it comes to this. if you go to their website today, even places where it would be really easy and helpful to talk about racism, like their halloween post, they are more concerned about young women dressing “slutty” than doing race-drag. one of the first comments is also about how women of colour are shit out of luck if they followed their “costume tips.”
another one of the first things i see is a sale for an “african print dress” modelled by a white woman, designed by a white woman. clearly they have taken their own advice to heart, less than six months later…
critical comments are great, me joining in to  bitch on tumblr can be cathartic, but whenever situations like these come about, i always recommend people go as high up as they can. email the author, the editor. be direct, polite, but straightforward: i.e. i, and many others, will stop reading you if you aren’t more conscious/don’t apologize/don’t at least address these concerns. 
that said, i don’t expect much. like gawker. major blogs that are driven by hits and ad revenue rates that increase with the more hits they get… pays off in the end. major brands, by and large, don’t care either. and even individual bloggers.

browntourage:

Morning wake-up call. 

So, I currently work “in fashion” and am exposed to the world more&more everyday through my job, and consuming information to stay sharp on the job. Some of this consuming happens on Refinery29.

I’ve been surprised by the Jezebel-esque/tumblr conscious posts on Refinery29 lately, even told friends about how impressed I was. But then this happened.

A couple days ago at work I had to confront a minor (albeit serious for me personally) situation in which my boss and co-workers wanted to title our weekly newsletters using “Indian Summer.” I consulted Tonia, and decided to rename it and if questioned, pull out the “UO HAS A LAWSUIT AGAINST THEM LET’S BE EXAMPLES IN THE FASHION INDUSTRY/ NOT COLONIALIST.” After some office exchanges, and the other Berkeley grad on my side, they were all receptive to the change! 

You can read my response below the article, and I hope for some more engagement on the topic.

i must say i’ve always had the sense that refinery29 is the kind of crew that just goes with the flow, and has never been interested in really challenging the status quo. i’ve never been a regular reader, but often end up there for the same reasons you list: i’m interested in fashion, and read up on what’s happening right now.

i totally laud your great thoughtful comment, and feel the same way… but truly wonder how real change and critical discourse about racism will ever be approached in a fashion blog like refinery29. case in point? their take on “ethnic prints.”

this post from may 2012, “what fashion’s ethnic prints are really called” is a good starting point, but it’s just that: a starting point. two days after posting that article, they described a pair of shoes as “ethnic.” and simply asking people to “use the right words” when talking about ethnic prints is just looking at the surface of the issue, and not calling into question cultural appropriation, who these prints are made by, how they are produced, who is selling them, who is wearing them, and what that may be indicative of.

i don’t expect critical thinking from refinery29, and i don’t know if that means i am just cynical and jaded or it means that i am a realist when it comes to this. if you go to their website today, even places where it would be really easy and helpful to talk about racism, like their halloween post, they are more concerned about young women dressing “slutty” than doing race-drag. one of the first comments is also about how women of colour are shit out of luck if they followed their “costume tips.”

another one of the first things i see is a sale for an “african print dress” modelled by a white woman, designed by a white woman. clearly they have taken their own advice to heart, less than six months later…

critical comments are great, me joining in to  bitch on tumblr can be cathartic, but whenever situations like these come about, i always recommend people go as high up as they can. email the author, the editor. be direct, polite, but straightforward: i.e. i, and many others, will stop reading you if you aren’t more conscious/don’t apologize/don’t at least address these concerns.

that said, i don’t expect much. like gawker. major blogs that are driven by hits and ad revenue rates that increase with the more hits they get… pays off in the end. major brands, by and large, don’t care either. and even individual bloggers.