Cindy Sherman, Untitled #479, 1975.
someone tell me how i had never seen this before. it combines SO MANY OF MY FAVOURITE THINGS.
(Source: brbnightmares, via morgansea)
Cindy Sherman, Untitled Film Still #36, 1979
Via MoMA
Untitled #112, 1982
“In the early 1980s Sherman continued to explore stereotypes of femininity and female representation found in popular culture, such as the centerfold format of pornographic magazines. She also began to use color in her work; her painterly sensibility is apparent in Untitled, #112 (1982) and subsequent photographs. Untitled, #112 is also one of the first images in which the artist portrays a more masculine identity. This gender ambiguity, along with the way the unusually lit figure emerges from the black background, yields an unsettling sensation. These effects become ominous and even frightening in later works in which Sherman portrays more disheveled and malign characters.”
(via Collection Online | Cindy Sherman. Untitled, #112. 1982)
(via girlsmakebetterrainbows)
Untitled Film Still #3, 1977
(via MoMA | The Collection | Cindy Sherman. Untitled Film Still #3. 1977)
i was fascinated by this image for years before i knew who the artist was or any sort of the context around it. after reading about it, i loved it even more.
(via misschickadee)
Untitled Film Still #36, 1979
(via MoMA | The Collection | Cindy Sherman. Untitled Film Still #36. 1979)
(via andibgoode)
Cindy Sherman
Cindy Sherman
